Is it valid to make distinctions  amid(prenominal)st ` superior  and  low  or `democratic  ? What purposesdo these categories serveAt one time most people would  entertain  still , when looking at apiece of  , whetherto  pass it into the  year of high or low  .  You looked at  much(prenominal) things as the  flavor ofthe brushwork , the exactness of the representation .  Then paint in tubes was inventedthe mid 19th century and the Impressionists were in the vanguard of  nearly  winking They were rejected at first of  lineage                                                                                                                                                         ,  only  outright seem to be highly acceptable when oneconsiders the prices that  capacity be paid for  whole works by Renoir or degas -  withal blurrythe outlinesIs abstract  high  ? It is a newer form of course and   some(prenominal) a(prenominal) are still making up theirminds  to the highest degree such(prenom   inal) ists as Jackson Pollack . And where do you fit the works of modernists such as Tracy Emin . Few would consider graffito as  , but citiessuch as Philadelphia are legitimising the work of graffito ists by spending publicmoney to promote it . Emin s unmade bed won the food turner prize . Whatever else it did itcertainly did what the ist intend - it shocked .  coetaneous  such asthis draws huge crowdsPerhaps the distinction should rather be between  devout and  naughtily  , good  universe  thatclearly displays whatever it was the ist intended and the bad that which does not .

 Thisdivision would not depend upon techn   iques used or the  insurance value of a piec!   e , butwhether it achieves what it was meant to achieve i .e . whether or no the viewer sees whatthey were intended to seeArt will  invariably  bring up reaction . To judge it on grounds of being  each high  or lowsmacks somewhat of elitism - an attitude of `What we  worry is  better than what you likeMeanwhile many would just say `I know what I like  whether that be Gainsborough orAndy WarholElectronic SourcesArt and the power to shock , Northern  let  bring out , 25th February 2004 hypertext transfer protocol /archive .thisisthenortheast .co .uk /2004 /2 /25 /60621 .html retrieved twenty-eighth October 2007Philadelphia Mural Arts Program found at http /www .murals .org /about retrieved 28th October 2007...If you want to get a full essay, order it on our website: 
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